In Miles Thurlow's Artvert, the artist has taken a copy of The Crack

Magazine, deleted it with corrective fluid and then photographed it to

be reprinted in the magazine.This simple circular act plays upon the

expectations of an artwork, and an advert, whilst posing a gentle and

ambiguous critique to the contents of the magazine and its economic

and cultural value.

 

Miles Thurlow often plays with ideas of construction and deconstruction on

an architectural, and sometimes more intimate, scale. Thurlow's work is an

extension of sculptural practice informed by Minimalism, Arte Povera and

everyday life.